“I’ll Know It When I See It”|’s Nightmare

Trade Show Blog

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For the Classic Designers, delivering a design that meets all the client’s needs — functionally, aesthetically, and fiscally — is the ultimate goal.  Collectively, our designers have over 30 years of industry experience designing trade show exhibits and graphics. We understand that most clients are not immersed in exhibit or graphic design, so the process can be challenging. But it doesn’t have to be. We are here to help!

5-ish Design Red Flags

Occasionally, we get an ambiguous request that requires Mind Reading. Which is understandable. We all come from different levels of experience. Thankfully, we are pretty good at addressing these requests before they become frustrating for everyone. But… that doesn’t mean there aren’t a few “Design Red Flags.”  Here are some we’ve identified over the years.

#1. I Need This by Tomorrow 

Good design takes time. Great design takes even more time. Think back to college. Did cramming for that psychology test result in an A? Probably not. There’s a process. Not to mention there are other design deadlines already in the queue. It’s not that we can’t do it if our schedules allow. And we want to, but we want to do it right.

high_five#2. My Client Wants Five Completely Different Options 

Clients like to see options, and this can be achieved by showing them portfolio images, discussing their objectives, and defining a budget. In the end, the client is only going to buy one booth, one that matches their marketing goals and budget. One spectacular design is better than five OK designs, if it is on point and includes revisions. Choose a designer who can delve into the project and deliver exactly what the client needs.

#3. If I Like It I’ll Find the Money to Buy It, So Design with an Unlimited Budget! 

No client has a truly unlimited budget. They might have lots of resources, but there will be a limit. Our advice, throw out an exhibit budget number and gauge their reaction: $50,000 for a 10×10? Either they’ll nod and say “Go for it!,” or they’ll take a big gulp and reveal their actual budget — $8K, $15K, $25K. Perfect, now the designer can give the client the best 10×10 they’ve ever seen within their budget.

#4. I’ll Know It When I See It — a.k.a., IKIWISI (pronouced icky wishy)

Design is not a poker game where revealing your hand is a disadvantage. Most clients have an idea of what they want, or at least what they want to achieve. At a minimum, they know their product/service and how it should be presented. Every designer loves the opportunity to be creative, but a guessing game is the exact opposite of creative. Whether you are paying for design or not, there is a cost. The cost can be as simple as frustration, revisions, and unmet expectations.

#4b. You’re the Creative One. Whatever You Think is Best.

This is a version of #4. Yes, we are the creative ones. We are designers and we take pride in that. HOWEVER, everybody is different, we all have our likes and dislikes. While we want to use our creativity to reflect your likes and dislikes, we can’t if we don’t know you or what you want.

#5. The Client Wants a Rental, But I’d Like to Show Them a Purchase Option

re-9017-1We understand the motivation. A purchase is more expensive than a rental. But it’s not a very good sales strategy. It’s another way of saying, “I don’t really know what my client wants so I’ll give them multiple options.” See Red Flag #2 above. Designers like to design, but what often gets forgotten is that designers want their designs to sell. We want our work to mean something, to come to fruition. When our designs sell, it validates our talent and our efforts.

So what’s the exact opposite? Clear communication and specific goals. At Classic Exhibits, we want you to succeed. We know you don’t live in exhibit design every day, so the process can frustrating. We also know that your best path is to work with industry professionals and to tap into Exhibit Design Search for ideas. Exhibit Design Search is a terrific place to see ideas and price points.

Over the years, we’ve learned there are three keys to a winning design and a happy customer.

  1. Understand Your Trade Show Goals and Have a Budget in Mind.
  2. Work with a Trade Show Professional Who Can Guide You.
  3. Whenever Possible, Communicate Directly with the Designer.

Best of all, no nightmares . . . for you or for your very favorite designer. Have questions about exhibit design, give us a call or send us an email.

The Classic Exhibits Design Department

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Based in Portland, Oregon, Classic Exhibits Inc. designs and manufacturers portable, modular, and custom exhibit solutions. Classic Exhibits products are represented by an extensive distributor network in North America and in select International markets. For more information, contact us at 866-652-2100 or www.classicexhibits.com.

 

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