Trade Show TalesBlog

Posts Tagged ‘display design’

“I’ll Know It When I See It” | Every Designer’s Nightmare

January 4th, 2023 COMMENTS

nightmare

For the Classic Designers, delivering a design that meets all the client’s needs — functionally, aesthetically, and fiscally — is the ultimate goal.  Collectively, our designers have over 30 years of industry experience designing trade show exhibits and graphics. We understand that most clients are not immersed in exhibit or graphic design, so the process can be challenging. But it doesn’t have to be. We are here to help!

5-ish Design Red Flags

Occasionally, we get an ambiguous request that requires Mind Reading. Which is understandable. We all come from different levels of experience. Thankfully, we are pretty good at addressing these requests before they become frustrating for everyone. But… that doesn’t mean there aren’t a few “Design Red Flags.”  Here are some we’ve identified over the years.

#1. I Need This by Tomorrow 

Good design takes time. Great design takes even more time. Think back to college. Did cramming for that psychology test result in an A? Probably not. There’s a process. Not to mention there are other design deadlines already in the queue. It’s not that we can’t do it if our schedules allow. And we want to, but we want to do it right.

high_five#2. My Client Wants Five Completely Different Options 

Clients like to see options, and this can be achieved by showing them portfolio images, discussing their objectives, and defining a budget. In the end, the client is only going to buy one booth, one that matches their marketing goals and budget. One spectacular design is better than five OK designs, if it is on point and includes revisions. Choose a designer who can delve into the project and deliver exactly what the client needs.

#3. If I Like It I’ll Find the Money to Buy It, So Design with an Unlimited Budget! 

No client has a truly unlimited budget. They might have lots of resources, but there will be a limit. Our advice, throw out an exhibit budget number and gauge their reaction: $50,000 for a 10×10? Either they’ll nod and say “Go for it!,” or they’ll take a big gulp and reveal their actual budget — $8K, $15K, $25K. Perfect, now the designer can give the client the best 10×10 they’ve ever seen within their budget.

#4. I’ll Know It When I See It — a.k.a., IKIWISI (pronouced icky wishy)

Design is not a poker game where revealing your hand is a disadvantage. Most clients have an idea of what they want, or at least what they want to achieve. At a minimum, they know their product/service and how it should be presented. Every designer loves the opportunity to be creative, but a guessing game is the exact opposite of creative. Whether you are paying for design or not, there is a cost. The cost can be as simple as frustration, revisions, and unmet expectations.

#4b. You’re the Creative One. Whatever You Think is Best.

This is a version of #4. Yes, we are the creative ones. We are designers and we take pride in that. HOWEVER, everybody is different, we all have our likes and dislikes. While we want to use our creativity to reflect your likes and dislikes, we can’t if we don’t know you or what you want.

#5. The Client Wants a Rental, But I’d Like to Show Them a Purchase Option

re-9017-1We understand the motivation. A purchase is more expensive than a rental. But it’s not a very good sales strategy. It’s another way of saying, “I don’t really know what my client wants so I’ll give them multiple options.” See Red Flag #2 above. Designers like to design, but what often gets forgotten is that designers want their designs to sell. We want our work to mean something, to come to fruition. When our designs sell, it validates our talent and our efforts.

So what’s the exact opposite? Clear communication and specific goals. At Classic Exhibits, we want you to succeed. We know you don’t live in exhibit design every day, so the process can frustrating. We also know that your best path is to work with industry professionals and to tap into Exhibit Design Search for ideas. Exhibit Design Search is a terrific place to see ideas and price points.

Over the years, we’ve learned there are three keys to a winning design and a happy customer.

  1. Understand Your Trade Show Goals and Have a Budget in Mind.
  2. Work with a Trade Show Professional Who Can Guide You.
  3. Whenever Possible, Communicate Directly with the Designer.

Best of all, no nightmares . . . for you or for your very favorite designer. Have questions about exhibit design, give us a call or send us an email.

The Classic Exhibits Design Department

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Based in Portland, Oregon, Classic Exhibits Inc. designs and manufacturers portable, modular, and custom exhibit solutions. Classic Exhibits products are represented by an extensive distributor network in North America and in select International markets. For more information, contact us at 866-652-2100 or www.classicexhibits.com.

 

Trade Show Design Support: Your Design Staff Will Thank You!

March 28th, 2022 COMMENTS

Trade show design

Trade Show Exhibit Design isn’t for the faint of heart. It’s a specialized craft learned over years of training and projects. Some designers transition into 3D exhibit design after starting as graphic designers. Others begin in industrial design. Still others simply love the trade show industry and are naturally creative. They become successful exhibit designers by working with other industry professionals. 

For others, studying exhibition design starts by attending a college or university. Both  Bemidji State University in Minnesota and the Fashion Institute of Technology in NYC offer either undergraduate or graduate degrees in Experience and Exhibition Design.   

Trade Show Design Requests

Trade Show Design requests come to us in a multitude of ways. Sometimes they’re simple napkin sketches. Other times they’re 3D CAD drawings complete with measurements, material specifications, and building recommendations. All are welcome… but the more details and directions a client or distributor provides, the more likely we’re able to hit a bulls-eye on the first pass. 

However, hitting the bulls-eye can be elusive when clients are unfamiliar with trade shows, don’t have well-defined goals, and are unsure of or unwilling to share their budget. The exhibit designer might as well be blindfolded, holding a plastic bat, and trying to crack open a pinata. When a designer has to guess, it almost always means multiple iterations. Iterations equals more time and more times adds to the cost. 

exhibition booth design

15 Important Exhibit Design Questions

Every designer wants happy clients who enjoy the process and are excited about the final product. That requires gathering information before any design starts. And while every project is unique and every designer different, there are questions common to any exhibit design project. The 15 Questions listed below may not be fit to every situation, but they’re an excellent tool to start the process. 

Design Questions 1-5

1.  Does your company have branding guidelines/logo or graphic files/website address?

2.  What size is the exhibit? Do you plan to reconfigure the exhibit for other shows? If so, what sizes?  

3.  What is the budget?  Still undecided about an exact budget? The next best option is a workable budget range. No exhibitor wants to be surprised with a beautiful booth outside their budget or underwhelmed by a booth designed for a lower budget.

4.  Purchase or rent? Or a combination of both? This assists the designer in choosing materials and designing to a specific budget.

5.  What physical properties does the exhibit need to have? For example, workstations, counters, slatwall, semi-private or private conference area, monitors, storage, etc? 

Design Questions 6-10

6.  What type of display has the client used in the past? What did they like or not like about the previous booth?

7.  Are there any materials or construction methods you prefer? Many experienced exhibitors have a strong attraction or aversion to specific materials.

8.  Are there any unusual dimensional restrictions? Some trade shows or events have unusual restrictions for the height of the booth or setbacks from the aisle. 

9.  Do you show product(s)? What are the dimensions and specifications? Will they require display cases, counters, shelves, hooks, etc.?

10.  Do you want a  portable, modular, or custom trade show booth? Or some combination. This will guide the use of materials, and casing  options.

Design Questions 11-15

11.  Who will assemble the display: show labor or your own team? 

12.  Do you have any images of design elements you like? Even if these “inspiration images” are not trade show related, they are very helpful. For example, architectural elements, finishes, colors, natural elements, retail environments, etc.

13.  Design due date? Typically, designs are completed within a week. However, every project and every client has their own timeline. 

14.  Show opening date? Creating the design and then building it depends on the time frame. Designers can make material selections which will go a long way toward meeting a three-week vs. a three-month window.

15.  Are there any descriptive words you use to describe your company? What do you want visitors to your booth to “feel” about your company? From “opulent” to “bad-ass,” we have heard some interesting descriptors, and this gives the designer the insight to craft a personalized, experiential space.

vendor booth display ideas

Are You Looking for Vendor Booth Display Ideas? We Can Help!

For any Exhibit Design Department, the busy season can be chaotic and stressful because good design takes time. But if you are a Classic Distributor, we have helpful solutions that will save you time and close your sales faster.

Exhibit Design Search (EDS). With over 1500 designs, Exhibit Design Search is the most comprehensive display site in the world. There are 32 galleries ranging from Islands to Inlines and Counters to Charging Tables. It contains purchase and rental solutions along with green/sustainable designs, hanging signs, tablet stands, hand sanitizer solutions, and so much more. 

EDS is a great place to start gathering ideas about features, capabilities and prices. Since every design can be customized, it offers the added benefit of mixing and matching designs.. Do you like the shelving from one design, the workstation from another, and the backlighting from a third? No problem. We’re happy to assist you with creating the perfect exhibit to meet the client’s trade show objectives. 

Photo Galleries: There are four photo galleries in Exhibit Design Search


These galleries are an outstanding place to see photos of actual design builds. The Past Five Days gallery is linked to kits in Exhibit Design Search making it easy to compare the rendering to the build.  

Exhibition Booth Design Support

At Classic Exhibits, we support Distributor Partners with design requests in several ways. 

  • Use us as your design staff if you don’t have in-house designers.
  • Use us as your overflow design staff when your internal designers are beyond their capacity.
  • Have us on phone calls with your clients. We are happy to be introduced as YOUR designer. Hearing what the client wants first-hand ensures the best design quickly.
  • All those nice-looking designs in Exhibit Design Search are available to you as 3D files. At no charge.


So the next time you need to create a 20×20/10×20/10×10 design in one day, don’t stress. We can easily show you ten different Classic designs with that capability. We’ve done the legwork, and these kits are ready to sell.

trade show graphics

Support with High-Quality Trade Show Graphics

Most Classic Distributor Partners have in-house or contract graphic designers. Here’s how we assist them with printing, file prep, and quality control.  

1. When it comes to choosing the right printers, we’re pretty picky. And we have multiple options. For most tension fabric graphics (SEG or Velcro), we process them in-house using our dye-sublimation printers. We do, however, use other suppliers with a long history of quality and reliability. For direct print graphics, we print both in-house and (mostly) at local printers in the Greater Portland area. 

2. Before your graphics go to the printer, they are pre-flighted by Classic Exhibits. This minimizes any mistakes and allows us to identify issues quickly and return them to you for corrections. 

3. Nothing leaves our facility without being staged and photographed. That means we see and inspect every graphic and ensure that the graphic fits perfectly. Whether it’s a purchase or a rental, EVERYTHING is STAGED. We’re happy (in fact eager) to share the photos with you once they’re available. Keep in mind however, these are staging photos in our shop and not show photos, which means the lighting isn’t ideal and the backgrounds may be messy or cluttered with other projects. 

Classic Exhibits and Trade Show Design

Classic Exhibits has been designing and building solutions since 1993. We’ve been honored as an Exhibitor Magazine Find-It Top 40 Exhibit Producers and an Event Marketer Fab 50 Exhibit Builders multiple times. Along with numerous Portable Modular Awards. 

With over 200 Distributor Partners throughout North America, there’s a Classic representative close by. Contact us today whether you need a durable hand sanitizer stand built to last, a rental display guaranteed to attract trade show attendees, or a custom 30 x 40 exhibit with all the bells and whistles. We’re not just different. We’re better.

The “Why” Can Greatly Impact the “How” in Exhibit Design

October 20th, 2017 COMMENTS

SwatchBook_header

Several weeks ago, we shared 15 Essential Exhibit Design Questions. These are questions every designer should ask their client before designing the ideal trade show display. In response to the blog post, a designer sent me an email. He wrote,

Here are a few questions we always ask. If the client walks in just thinking about the nuts and bolts of the project, they may miss an informed conversation on why they are exhibiting in the first place and that can fundamentally affect the design of a booth. The Why can greatly impact the How in Exhibit Design.

At that Classic distributor, the designer is usually included in the initial conversation with the client. Depending on which designer you talk to that’s either a bonus or a burden. The questions he shared gauge whether the exhibitor has identified their trade show marketing goals. That’s critical. And yet, it’s easy to skip those questions because doing so can make the potential exhibitor uncomfortable if they haven’t done their homework.

Personally, I’ve been in meetings where merely asking those questions caused the client to consider not buying an exhibit. More often than not they would come back. But not always. Not everyone should be an exhibitor. IMO — If your client intends to purchase or rent an exhibit, they should be prepared to answer these questions.

3 Essential Trade Show Marketing Questions

1. Why are you exhibiting at XYZ Conference?

What does this conference provide that is a benefit for you as an exhibitor? 

2. How would you qualify a successful event?

Expanding brand awareness, generating new sales leads, successful client meetings? 

3. Who is your target attendee at XYZ Conference?

Meeting new prospective clients, reinforcing established relationships?

We often grumble that drayage or labor or freight or show services is killing the trade show industry. However, the single biggest barrier to trade show success is an unprepared, unmotivated, and uninformed exhibitor. It’s easy to blame them for not doing their homework, but honestly, we’re equally to blame if we don’t ask the right questions, guide them to the right resources, and offer professional trade show marketing expertise. After all, we’re the professionals.

Do you have any other “essential” trade show marketing questions? Please share.

–Mel White
mel@classicexhibits.com
http://www.linkedin.com/in/melmwhite

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Classic Exhibits Inc. designs and manufacturers portable, modular, hybrid, and custom exhibit solutions. Classic Exhibits products are represented by an extensive distributor network in North America and in select International markets. For more information, contact us at 866-652-2100 or www.classicexhibits.com.

Why Our Brains Love Curves

December 28th, 2013 3 COMMENTS

Katina Rigall, Designer

In my last blog post, “Exhibit Designs that Sell,” I offered some tips on how to achieve a nearly 100% success rate. This time, I want to delve into a design element that connects to a deep-rooted preference in many people — graceful, mesmerizing curves!

There are two reasons why your client may be drawn to curves. The first is biological. A recent scientific study tested how the brain responds to curved vs. linear designs. In the study, the part of the brain linked to emotion was more stimulated when participants were expressing a greater affinity for the curved designs they were viewing.

It appears many people have a positive emotional pull to curved spaces. In the insightful article Why Our Brains Love Curvy Architecture, Eric Jaffe explains why curved designs tug at our hearts. Curvature appears to affect our feelings and signal safety or a lack of threat.

When it comes to exhibit design, the second reason clients may be drawn to a booth with curves is the elevated status that is associated with it. Curves are more difficult to manufacture. They require more labor because the materials, whether metal, wood, or plastic, must be modified from straight to curves. Because of this, curved booths have historically been designed for clients who can afford curves and other custom features.

Our Design Department continues to receive custom design requests for curvy booths (and thankfully budgets that allow for them). But more notable is the huge increase in requests to re-brand our existing kits from Exhibit Design Search, such as VK-1320, TF-5202, and VK-5095. From 10×10’s to large islands, curved structures are selling because there is a recognition that branding on these structures offers bold and eye-catching surfaces for creative graphics. These designs attract attention and, as you know, attention is everything on the trade show floor.

The Classic Rental Department recently added many new curved island and inline designs. I spoke with Jim Shelman, GM of the Rental Dept., who is thrilled about these new rental options. As we all know, curves have typically not been an option in the past. To preserve small budgets, straight lines were predominant. According to Jim, clients are excited about getting a curved rental booth because these booths are both upscale and affordable.

One of my resolutions for the Classic Design Department in 2014 is to continue producing designs that will “Wow!” your clients . . . and sell like hot cakes. Watch for creative new designs in Design Monday. I see twists and turns and lots of curves in our future!

When your client’s budget allows for curved elements, do they prefer a curvilinear booth or a linear design aesthetic? Let me know in the comments section below. I look forward to hearing from you!

Katina Rigall
katina@classicexhibits.com